|
Issue |
Title |
|
Vol 5, No 2 (2022) |
... Penetrating into the Heart and Poetry of Nature |
Details
|
Aleksandr Nikolayevich Sharikov |
|
Vol 4, No 3 (2021) |
“…Undeniably FInest Choice of Frame” ( on the Question of PIcture Framing by I. E. Repin) |
Abstract
PDF (Rus)
|
Oksana Aleksandrovna Lysenko |
|
No 2 (2019) |
“A Good Deal of Work Still Outstanding...ˮ |
Details
PDF (Rus)
|
Lidia Chuplygina |
|
Vol 6, No 1 (2023) |
“...And a Heaven in a Calyx Flower” |
Abstract
|
O. V. Volokitina |
|
Vol 4, No 4 (2021) |
“...And, Death once dead, there’s no more dying then”. Creating an Easel Painting of the Three Fates of Greek Mythology |
Abstract
|
Elizaveta Alekseevna Nadezhdina |
|
Vol 6, No 2 (2023) |
“Black Style” Photo. Unconventional Approach to Oil Painting Photography |
Abstract
|
V. V. Fomin |
|
Vol 6, No 2 (2023) |
“Composing A Landscape Painting”. A New Teaching Guide from the Sergey Andriaka Academy of Watercolor and Fine Arts |
Abstract
|
S. N. Andriaka |
|
Vol 5, No 2 (2022) |
“Heliotropon, Color Akin to the Sun”. Book review by L. A. Shitova “Materials for the Dictionary of Restorers” |
Details
|
Yana Ernestovna Zelenina |
|
Vol 4, No 1 (2021) |
“Not about war”: a new curator’s look |
Abstract
PDF (Rus)
|
Vera Anatolievna Lagutenkova |
|
Vol 6, No 3 (2023) |
“Rose Dusk”. A Step-by-Step Visual Manual: Painting a Winter Landscape in Multilayer Watercolor Technique |
Abstract
|
S. Andriaka |
|
No 1 (2020) |
“SPRING” BY A. A. PLASTOV: THE HISTORY OF CREATION |
Abstract
PDF (Rus)
|
Tatyana Yurievna Plastova |
|
Vol 4, No 4 (2021) |
“The Great Repin's Disciples” Exhibition at the Academy of Watercolor: Expectations and Outcomes |
Details
|
Boris Aleksandrovich Sharov |
|
Vol 6, No 2 (2023) |
“The Sack of Benjamin... I am Now Putting it in Order”. One Unfulfilled Vision |
Abstract
|
S. S. Stepanova |
|
Vol 4, No 1 (2021) |
“The world has gone after him”. From the review of A. D. Spiridonova’s graduate project supervised by S. N. Andriyaka |
Abstract
PDF (Rus)
|
Yana Ernestovna Zelenina |
|
No 2 (2018) |
«Symbols of the Thrones, Temporarily Forgotten ...» How to Shoot Precious Objects Interview with Nikolaу Rakhmanov |
Abstract
PDF (Rus)
|
, |
|
No 3 (2018) |
«To Guard as the Utmost Treasure»: On the Acquisition of Maria Sibylla Merian's Watercolors by Peter the Great |
Details
PDF (Rus)
|
Irina Vladimirovna Tunkina |
|
No 4 (2018) |
1960s Lithographs by Alexander Vedernikov: A Game of Stylization |
Details
|
Aleksandra Strukova |
|
No 4 (2018) |
2018 Fall Exhibition Season in Sergey Andriaka Academy of Watercolor and Fine Arts |
Details
|
Daria Trubakova |
|
Vol 6, No 4 (2023) |
A Brief Report on the Research Regarding Incorporation of Authentic Art History Texts (19th – First Half of the 20th Century) into Foreign Language Teaching (Courses: “Foreign Language” and “English for Professional Communication”) Carried out at Sergey Andriaka Academy of Watercolor and Fine Arts |
Abstract
|
V. A. Myakshin |
|
Vol 7, No 2 (2024) |
A Concise Chronology of Sergey Andriaka’s Initiative to Reintroduce the Practice of Artistic Thesis Defense Through a Scholarly Report on a Corpus of Published Creative Works |
Abstract
|
D. V. Fomicheva |
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