| Issue | Title | |
| Vol 5, No 2 (2022) | ... Penetrating into the Heart and Poetry of Nature | Details PDF (Rus) |
| Aleksandr Nikolayevich Sharikov | ||
| Vol 4, No 3 (2021) | “…Undeniably FInest Choice of Frame” ( on the Question of PIcture Framing by I. E. Repin) | Abstract PDF (Rus) |
| Oksana Aleksandrovna Lysenko | ||
| No 2 (2019) | “A Good Deal of Work Still Outstanding...ˮ | Details PDF (Rus) |
| Lidia Chuplygina | ||
| Vol 6, No 1 (2023) | “...And a Heaven in a Calyx Flower” | Abstract |
| O. V. Volokitina | ||
| Vol 4, No 4 (2021) | “...And, Death once dead, there’s no more dying then”. Creating an Easel Painting of the Three Fates of Greek Mythology | Abstract PDF (Rus) |
| Elizaveta Alekseevna Nadezhdina | ||
| Vol 6, No 2 (2023) | “Black Style” Photo. Unconventional Approach to Oil Painting Photography | Abstract |
| V. V. Fomin | ||
| Vol 6, No 2 (2023) | “Composing A Landscape Painting”. A New Teaching Guide from the Sergey Andriaka Academy of Watercolor and Fine Arts | Abstract |
| S. N. Andriaka | ||
| Vol 5, No 2 (2022) | “Heliotropon, Color Akin to the Sun”. Book review by L. A. Shitova “Materials for the Dictionary of Restorers” | Details PDF (Rus) |
| Yana Ernestovna Zelenina | ||
| Vol 4, No 1 (2021) | “Not about war”: a new curator’s look | Abstract PDF (Rus) |
| Vera Anatolievna Lagutenkova | ||
| Vol 6, No 3 (2023) | “Rose Dusk”. A Step-by-Step Visual Manual: Painting a Winter Landscape in Multilayer Watercolor Technique | Abstract |
| S. Andriaka | ||
| No 1 (2020) | “SPRING” BY A. A. PLASTOV: THE HISTORY OF CREATION | Abstract PDF (Rus) |
| Tatyana Yurievna Plastova | ||
| Vol 4, No 4 (2021) | “The Great Repin's Disciples” Exhibition at the Academy of Watercolor: Expectations and Outcomes | Details PDF (Rus) |
| Boris Aleksandrovich Sharov | ||
| Vol 6, No 2 (2023) | “The Sack of Benjamin... I am Now Putting it in Order”. One Unfulfilled Vision | Abstract |
| S. S. Stepanova | ||
| Vol 4, No 1 (2021) | “The world has gone after him”. From the review of A. D. Spiridonova’s graduate project supervised by S. N. Andriyaka | Abstract PDF (Rus) |
| Yana Ernestovna Zelenina | ||
| No 2 (2018) | «Symbols of the Thrones, Temporarily Forgotten ...» How to Shoot Precious Objects Interview with Nikolaу Rakhmanov | Abstract PDF (Rus) |
| , | ||
| No 3 (2018) | «To Guard as the Utmost Treasure»: On the Acquisition of Maria Sibylla Merian's Watercolors by Peter the Great | Details PDF (Rus) |
| Irina Vladimirovna Tunkina | ||
| No 4 (2018) | 1960s Lithographs by Alexander Vedernikov: A Game of Stylization | Details |
| Aleksandra Strukova | ||
| No 4 (2018) | 2018 Fall Exhibition Season in Sergey Andriaka Academy of Watercolor and Fine Arts | Details |
| Daria Trubakova | ||
| Vol 6, No 4 (2023) | A Brief Report on the Research Regarding Incorporation of Authentic Art History Texts (19th – First Half of the 20th Century) into Foreign Language Teaching (Courses: “Foreign Language” and “English for Professional Communication”) Carried out at Sergey Andriaka Academy of Watercolor and Fine Arts | Abstract |
| V. A. Myakshin | ||
| Vol 7, No 2 (2024) | A Concise Chronology of Sergey Andriaka’s Initiative to Reintroduce the Practice of Artistic Thesis Defense Through a Scholarly Report on a Corpus of Published Creative Works | Abstract |
| D. V. Fomicheva | ||
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