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| Issue |
Title |
| |
| Vol 7, No 2 (2024) |
A Concise Chronology of Sergey Andriaka’s Initiative to Reintroduce the Practice of Artistic Thesis Defense Through a Scholarly Report on a Corpus of Published Creative Works |
Abstract
|
|
D. V. Fomicheva |
| |
| Vol 7, No 1 (2024) |
On Locating Paintings, Graphics, and Sculptures Defended as Creative Theses on Art History in the USSR |
Abstract
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|
V. M. Stepanenkova |
| |
| Vol 6, No 4 (2023) |
Review of Documents from the Russian State Library and the Russian State Archive of Literature and Art, Regarding the Defense of Graduate Art Projects (Painting, Sculpture, Graphic Series, etc.), Also Known as “Creative Theses”, by Artists Pursuing the Degree of Candidate of Art History in the US SR |
Abstract
|
|
D. V. Fomicheva |
| |
| Vol 6, No 4 (2023) |
The Soviet Legislation Governing the Dissertation System in Conferring Academic Titles and Degrees Within the Field of Art Studies (Art History): Experiences from Thesis Defenses in the 1940s – the First Half of the 1950s |
Abstract
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|
V. S. Eremenko |
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