Vol 4, No 4 (2021)

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Vol 4, No 4 (2021)

EDITORIAL

PDF (Rus)

6-7 172

TEACHER'S WORKSHOP

The Story Behind “The Capture of the Kars Fortress in 1877”. Conversation with E. N. Maksimov

Eugene Nikolayevich Maximov, Natalia Evgenievna Tretyakova

PDF (Rus)

10-20 338

Watercolor Still Life Painting for Beginners. A Visual Watercolor Teaching Aid Based on S. N. Andriaka’s Original Methodology: Task No. 17 of the Pre-Vocational Education Programme

Sergey Nikolayevich Andriaka

PDF (Rus)

22-28 350

Stained Glass Painting Technique in the 19th Century. The Review of Henry James Snell's "Practical Instructions in Enamel Painting on Glass, China, Tiles, etc." (London, 1874). Part I

Lev Yuryevich Lifshitz, Daria Vladimirovna Fomicheva

PDF (Rus)

30-41 262

ART AS SCIENCE: THEORY, TECHNIQUES & TECHNOLOGIES OF FINE ARTS

Visual Image Concentration Technique. On the Early 20th Century Theory of Composition

Daria Vladimirovna Fomicheva

PDF (Rus)

42-49 317

“...And, Death once dead, there’s no more dying then”. Creating an Easel Painting of the Three Fates of Greek Mythology

Elizaveta Alekseevna Nadezhdina

PDF (Rus)

50-61 314

Illuminated Initials of Svetlana Molodchenko

Editorial Article

PDF (Rus)

62-67 236

REVIEWS

On Late Northern Icon Paintings

Yana Ernestovna Zelenina

PDF (Rus)

70-76 233

CHRONICLE

“The Great Repin's Disciples” Exhibition at the Academy of Watercolor: Expectations and Outcomes

Boris Aleksandrovich Sharov

PDF (Rus)

78-87 300

ISSN 2618-7140 (Print)

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TEACHER'S WORKSHOP

ART AS SCIENCE: THEORY, TECHNIQUES & TECHNOLOGIES OF FINE ARTS

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