Preview

Secreta Artis

Advanced search
Open Access Open Access  Restricted Access Subscription or Fee Access

Icon Patterns and Tracings from the Perspective of Restoration: The Experience of the Graphic Restoration Workshop of the State Historical Museum: Development and Prospects

https://doi.org/10.51236/2618-7140-2025-8-3-4-84-107

Abstract

This article summarizes the experience of the Graphic Restoration Workshop of the State Historical Museum, taking as its case study the tracings and icon patterns presented at the exhibition Icon and Pattern: Works from the Collection of the State Historical Museum at the Sergey Andriaka School of Watercolor. The authors provide a detailed analysis of this material from the perspective of the specific features and methodology of restoration practice. In addition to addressing practical issues related to the preparation, display, and presentation of this type of graphic art, the article considers prospects for further research and restoration work within the stated field.

About the Authors

F. N. Konevtseva
State Historical Museum
Russian Federation

Konevtseva Anna Nikolaevna, Graphic Art Restorer; Art Historian

1 Red Square, Moscow 109012



O. A/ Tretyakova
State Historical Museum
Russian Federation

Tretyakova Olga Aleksandrovna, Graphic Art Restorer; Art Historian

1 Red Square, Moscow 109012



References

1. Dionisii Furnoagrafiot. (1868). Erminiya, ili Nastavlenie v zhivopisnom iskusstve, sostavlennoe ieromonakhom i zhivopistsem Dionisiem Furnoagrafiotom, 1701–1733 god [Hermeneia, or An instruction in the art of painting, compiled by the hieromonk and painter Dionysius of Fourna, 1701–1733] (Porfirii [Uspenskii], Trans.). Tipografiya Kievo-Pecherskoi lavry.

2. Fedoseeva, T. S., Belyaevskaya, O. N., Gordyushina, V. I., Malachevskaya, E. L., & Pisareva, S. A. (2016). Restavratsionnye materialy. Kurs lektsii [Restoration materials: A course of lectures]. Indrik.

3. Frolova, E. E. (2024). Konservatsiya risunkov s povrezhdennym krasochnym sloem: k voprosu o metodakh ukrepleniya [Conservation of drawings with a damaged paint layer: On methods of consolidation]. Khudozhestvennoe nasledie. Issledovaniya. Restavratsiya. Khranenie = Art Heritage. Research. Storage. Conservation, (1), 47–58.

4. Graficheskie obraztsy russkoi ikony. Katalog vystavki [Graphic models of the Russian icon: Exhibition catalogue]. (2019). S. A. Kirianova (Comp.). TsMiAR.

5. Klepikov, S. A. (1959). Filigrani i shtempeli na bumage russkogo i inostrannogo proizvodstva, XVII–XX veka [Watermarks and stamps on paper of Russian and foreign production, 17th–20th centuries]. Izdatel’stvo Vsesoyuznoi knizhnoi palaty.

6. Kokurina, A. N. (2018). Yaroslavskie ikonopistsy Velikanovy [The Velikanovs, icon painters of Yaroslavl]. In XXII Nauchnye chteniya pamyati Iriny Petrovny Bolottsevoi (1944–1995): sbornik statei [22nd scholarly readings in memory of Irina Petrovna Bolottseva (1944–1995): Collection of articles] (pp. 381–390). Yaroslavskii khudozhestvennyi muzei.

7. Kravchenko, A. S., & Utkin, A. P. (Comps.). (1993). Ikona. Sekrety remesla [The icon: Secrets of the craft]. Stail A LTD.

8. Metlitskaya, L. L., & Kostikova, E. A. (Comps.). (1995). Restavratsiya proizvedenii grafiki: metodicheskie rekomendatsii [Restoration of works of graphic art: Methodological guidelines]. VKhNRTs.

9. Morozova, Z. P. (2010). Ikonopistsy Romanova-Borisoglebska. Ikonnye obraztsy XVII – nachala XIX veka iz sobraniya GIM [Icon painters of Romanov-Borisoglebsk: Icon patterns of the 17th to early 19th centuries from the collection of the State Historical Museum]. GIM.

10. Rebrikova, N. L. (1999). Primenenie fermentov v restavratsii [The use of enzymes in restoration]. Vestnik restavratsii muzeinykh tsennostei [Bulletin of the Restoration of Museum Values], (2), 57–59.

11. Temerina, O. S. (2023). Osnovy restavratsii proizvedenii grafiki [Fundamentals of restoration of works of graphic art]. Avgust Borg


Review

For citations:


Konevtseva F.N., Tretyakova O.A. Icon Patterns and Tracings from the Perspective of Restoration: The Experience of the Graphic Restoration Workshop of the State Historical Museum: Development and Prospects. Secreta Artis. 2025;8(3-4):84-107. (In Russ.) https://doi.org/10.51236/2618-7140-2025-8-3-4-84-107

Views: 18

JATS XML

ISSN 2618-7140 (Print)