On challenges of arranging a series of etchings as illustrated by Elena Grazhevskaya’s graduate project supervisor – Alexei Popov, honored artist of Russia and associate member of the Russian academy of arts
https://doi.org/10.51236/2618-7140-2021-4-1-48-59
Abstract
The article reveals a number of rules regulating the arrangement of a series of two-dimensional images universal both for works of fine art, as well as photography and design. The authors outline the key principles of creating such a series through a thorough description of the working process behind “The Herbs”, a set of five etchings by Elena Grazhevskaya. The aforementioned project was developed as a graduate qualification work at the Academy of Watercolor and Fine Arts of Sergey Andriaka under the supervision of the Honored Artist of the Russian Federation and Associate Member of the Russian Academy of Arts A. B. Popov. The authors of the article discuss the problem of selecting appropriate composition formats and their subsequent mirroring in relation to the centerpiece of the series at its preliminary sketching stage. The article touches upon the question of proper space composition in symmetrical images, i.e. how to convey a similar depth of couple pieces in the series. The fundamental techniques for working with the tonal color scheme are unveiled, namely the simultaneous portrayal of unity and contrast of lights and shadows in the pieces symmetrical to the central one. Furthermore, the paper addresses how to wisely choose a technique optimal for the type of etchings belonging to the series. The concurrent usage of aquatint and etching stroke technique is justified as it allows one to combine detailed object drawing with decorative aquatint painting as a compositionally organizing element. Likewise, the authors delineate the principles for selecting appropriate printing ink, particularly in the light of the use of a painterly “two-color printing effect” (application of a warm-cold effect of one ink in layers of different thickness). The article will be useful for teachers and students of art schools at all levels of education, photographers and designers, as well as anyone who is interested in creating a series of visual art works.
About the Authors
Elena Mihajlovna GrazhevskayaRussian Federation
Alexei Borisovich Popov
Russian Federation
References
1. 260 let Rossiyskoy akademii khudozhestv: Al'bom [= The 260th Anniversary of the Russian Academy of Arts: Album]. (2017). P.PR. Studio. [In Rus.]
2. XX – XXI vek. Grafika, zhivopis': 178 khudozhnikov [= Graphics & Painting through the 20th to the 21st Century: 178 Artists]. (2007). Ob''edinenie khudozhnikov graficheskogo stankovogo iskusstva. [In Rus.]
3. Aleksandr Suvorov. Prostranstvo oforta: [Al'bom] [= Etching Space]. (2006). Skanrus. [In Rus.]
4. Aleksey Popov. Grafika. Zhivopis': Al'bom [= Graphics. Painting: Album]. (2008). Shkola akvareli Sergeya Andriyaki. [In Rus.]
5. Chelovek i gorod: Katalog [= The Man and the City: Catalogue]. (2011). Reprotsentr A1. [In Rus.]
6. Diplomnye raboty studentov. Perviy vypusk. Akademiya akvareli i izyashchnykh iskusstv Sergeya Andriyaki [= Student Graduate Thesis Projects: First Issue. Sergey Andriaka Academy of Watercolor and Fine Arts]. (2020). Izdatel'stvo Akademii akvareli i izyashchnykh iskusstv Sergeya Andriyaki. [In Rus.]
7. Gravyury Rembrandta iz kollektsii D. A. Rovinskogo v sobranii Ermitazha [= Rembrandt Etchings from the Collection of D. A. Rovinsky in the State Hermitage Museum]. (2012). In R. G. Grigor'ev. Gosudarstvenniy Ermitazh. Izdatel'stvo Gosudarstvennogo Ermitazha. [In Rus.]
8. Ivanova, I. Yu. (2018). Excerpts from Diploma Evaluation Reports. Secreta Artis, 3(03), 96–97. [In Rus.]
9. Kalashnikov, V. E. (2010). Frantsuzov Boris Fedorovich. Khudozhestvenno-pedagogicheskoe izdatel'stvo. [In Rus.]
10. Katafal, Y., & Oliva, K. (2010). Gravyura. Tekhniki i priemy vysokoy i glubokoy pechati [= El Grabado] (N. Kalinina, & E. Chistova, Trans.). Khudozhestvenno-pedagogicheskoe izdatel'stvo. [In Rus.]
11. Khudozhniki-pedagogi i studenty: Al'bom. Seriya: Prodolzhaya traditsii [= Teaching Artists and Students: Album. Series: Continuing the Traditions]. (2017). ArtServis-Media. [In Rus.]
12. Kurbatova, N. V. (2018). The First Diploma Defence in Sergey Andriaka Academy of Watercolor and Fine Arts. Secreta Artis, 3(03), 87–88. [In Rus.]
13. Ocherki po istorii i tekhnike gravyury: Angliyskaya gravyura 18 veka [= A Survey of Engraving: Its History and Techniques. English Printmaking Art of the 18th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
14. Ocherki po istorii i tekhnike gravyury: Frantsuzskaya gravyura 15 _ 17 vekov [= A Survey of Engraving: Its History and Techniques. French Printmaking Art of the 15th _ 17th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
15. Ocherki po istorii i tekhnike gravyury: Frantsuzskaya gravyura 18 veka [= A Survey of Engraving: Its History and Techniques. French Printmaking Art of the 18th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
16. Ocherki po istorii i tekhnike gravyury: Gollandskiy ofort 17 veka [= A Survey of Engraving: Its History and Techniques. Dutch Etching Art of the 17th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
17. Ocherki po istorii i tekhnike gravyury: Gravyury 20 veka stran Zapadnoy Evropy i Ameriki [= A Survey of Engraving: Its History and Techniques. Western European and American Printmaking Art of the 20th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
18. Ocherki po istorii i tekhnike gravyury: Ital'yanskaya gravyura 15 _ 18 vekov [= A Survey of Engraving: Its History and Techniques. Italian Printmaking Art of the 15th – 18th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
19. Ocherki po istorii i tekhnike gravyury: Nemetskaya gravyura 15 _ 16 vekov [= A Survey of Engraving: Its History and Techniques. German Printmaking Art of the 15th _ 16th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
20. Ocherki po istorii i tekhnike gravyury: Niderlandskaya gravyura 15 _ 16 vekov [= A Survey of Engraving: Its History and Techniques. Dutch Printmaking Art of the 15th _ 16th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
21. Ocherki po istorii i tekhnike gravyury: Oforty Goyi i zapadnoevropeyskaya gravyura 19 veka [= A Survey of Engraving: Its History and Techniques. Goya’s Etchings and Western European Print Art of the 19th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
22. Ocherki po istorii i tekhnike gravyury: Russkaya gravyura 18 – nachala 20 veka [= A Survey of Engraving: Its History and Techniques. Russian Printmaking Art of the 18th _ Early 20th Century]. (1987). Izobrazitel'noe iskusstvo. [In Rus.]
23. Sergey Andriaka Academy of Watercolor and Fine Arts. (2015). Akademiya akvareli i izyashchnykh iskusstv Sergeya Andriaki. [In Rus.]
24. Soyuz khudozhnikov Rossii. Katalog [= The Union of Russian Artists. Catalogue]. (2004). Interbuk-biznes. [In Rus.]
25. Tret'yakova, N. E. (2018). Excerpts from Diploma Evaluation Reports. Secreta Artis, 3(03), 92–93. [In Rus.]
26. Zorin, L. N. (2004). Estamp: Rukovodstvo po graficheskim i pechatnym tekhnikam [= The print. Manual on graphics and printing techniques]. AST: Astrel'. [In Rus.]
Review
For citations:
Grazhevskaya E.M., Popov A.B. On challenges of arranging a series of etchings as illustrated by Elena Grazhevskaya’s graduate project supervisor – Alexei Popov, honored artist of Russia and associate member of the Russian academy of arts. Secreta Artis. 2021;4(1):48-59. (In Russ.) https://doi.org/10.51236/2618-7140-2021-4-1-48-59