

Sergey Andriaka’s Original Methodology: Teaching Plein Air Painting in the Technique of Multilayer Watercolor (Using Winter Motifs as an Example)
https://doi.org/10.51236/2618-7140-2024-7-2-8-21
Abstract
This article explores the key elements of the original methodology for teaching landscape painting with the multilayer watercolor technique, developed by Sergey Nikolaevich Andriaka, People's Artist of the Russian Federation, Full Member of the Russian Academy of Arts, and Rector of the Academy of Watercolor and Fine Arts from 2012 to 2024. At the heart of his approach lies the use of winter motifs as a foundation for teaching coloristic landscape painting. Andriaka argued that the depiction of seemingly colorless, snow-covered landscapes - defined by sharp tonal contrasts - provides students with an opportunity to significantly enhance their sense of color and aerial perspective, while mastering the art of color application. Andriaka's unique technique involves the painting of winter landscapes using a highly limited palette of red, blue, and yellow (the three primary colors), encouraging students to engage thoughtfully with both the physical and optical mixing of colors in the creation of multilayered watercolor compositions.
About the Authors
S. S. Arustamova-AndriakaRussian Federation
Arustamova-Andriaka Sofia Sergeevna, Vice-Rector, Sergey Andriaka Academy of Watercolor and Fine Arts
15 UI. Akademika Vargi, Moscow 117133
D. V. Andriaka
Russian Federation
Andriaka Daria Vitalievna, Director of the Sergey Andriaka Legacy Foundation
15 UI. Akademika Vargi, Moscow 117133
D. V. Fomicheva
Russian Federation
Fomicheva Daria Vladimirovna, Corresponding Member, Russian Academy of Arts Scientific and Publishing Project Manager, Sergey Andriaka Academy of Watercolor and Fine Arts
15 UI. Akademika Vargi, Moscow 117133
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Review
For citations:
Arustamova-Andriaka S.S., Andriaka D.V., Fomicheva D.V. Sergey Andriaka’s Original Methodology: Teaching Plein Air Painting in the Technique of Multilayer Watercolor (Using Winter Motifs as an Example). Secreta Artis. 2024;7(2):8-21. (In Russ.) https://doi.org/10.51236/2618-7140-2024-7-2-8-21