This article examines one of Sergey Andriaka’s favored floral compositional subjects: the still life with a bouquet of lilacs. The artist developed two principal types of this motif. The first, widely appreciated among admirers of his work, is the “carpetlike” composition; the second is an intimate still life featuring one or several lilac branches arranged in a vessel. The general principles underlying Andriaka’s approach to the lilac still life include a deliberate and structured orchestration of movement and rhythm in the branching forms, blossoms, and leaves; a skillful grouping of tonal and chromatic relationships among the elements; a convincing rendering of the complex textures of the inflorescences; the use of contrasting silhouettes of flowers and foliage; and professional handling of the bouquet’s overall volume. In creating his watercolor lilac still lifes, the artist employed a range of techniques for depicting flowers, leaves, and background—from minimal layering in the lightest areas of the blossoms to richly built-up, multilayered backgrounds.